ROI and concerns for association content curators
Diving into content curation for associations one more time. This is post number three on this topic in as many weeks, so I promise this will be the last for a while. Just a few other aspects of it worth examining.
ROI. The biggest return on investment for an association doing content curation may be intangible: bolstering your association's reputation as the best place (or at least one of the best places) to find high-quality knowledge and useful news in your specific field or industry. (This should sound familiar if you already publish a magazine, journal, newsletter, blog, etc.) Done well, this can lead to better recruitment, more engagement, and upticks in all the related products and services you offer that have real revenue attached (meetings, education, certifications, etc).
For associations, I think that curation is at most a secondary activity that should complement primary lines of business/value.
— David Gammel (@davidgammel) May 17, 2012
David Gammel summed it up well in a tweet yesterday (at right). If you're familiar with David's Engagement Acceleration Curve, you could plot content curation at the far left, near other content marketing and attention-driving strategies.
And like your traditional content, content curation could help boost revenue via advertising, but again this ought to be additive to the content you're already producing, not a replacement for it. If you find yourself going link crazy just to drive page views, take a look at newspapers to see how that's working out for them. And there are some other concerns with advertising next to other people's content, but more on that later.
These next few items are where content curation at an association gets more complicated than at an independent media outlet or as a solo practitioner on the web.
Diversity. Any good content curator will search a wide, diverse pool of perspectives and sources of knowledge (within a subject area, at least) and will also strive for diversity in the content he or she curates for the audience. That's just good sense for the community's general body of knowledge. But other diversity and inclusion considerations will factor in as well, such as highlighting new and underrepresented voices in the industry. This is a worthy goal for any association (and often an expressly stated one), but it might not always align perfectly with other measurements of content, so it's important for the association content curator to keep both goals in mind.
Influence. If your association is well positioned, your curation of others' content will be valuable exposure for those sources. Exposure that must not be doled out unevenly or haphazardly. An association curator's sources will often be paying members—and, specifically, paying supplier members who want to see their membership dues result in better exposure to the market. Ultimately, your responsibility lies in curating the best, most useful content for your audience, so it will help to have a clear definition of "best" and "useful" in case you hear from people who think you ought to be including their content in your curation.
Fair use. When you're dealing heavily in relaying other people's content, you run the risk of copyright infringement if you use it in inappropriate ways and without proper attribution. The rules of intellectual property law are sometimes fuzzy, but the simple mantras of "don't steal" and "give credit where credit is due" will generally steer you in the right direction. But these are doubly important for an association curator since so many sources are paying members. Even if you don't run afoul of copyright laws, could you upset members if they feel your association is taking advantage of their contributions? Possibly. Consider tools like Scoop.It, Pinterest, and Tumblr. Great tools for curating and sharing content easily. But what if you slapped some advertising on your Scoop.It page, next to all those handy links and teasers to other people's content? Some sources might not be as agreeable anymore.
If your association is curating content for your audience, I'd be interested to hear how your members are responding and how you're handling some of these issues. And if you missed the earlier posts on curation, here they are, plus one from last year:
- A little curation on curation for associations
- Curation, retail style
- Isn't "content curator" just another term for "reporter"?
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